Issues of program/performance/function are layered with experiential and cryptic codification of signifiers. Whereas traditional architectural drawings are used to describe an entity—an object—these attempt to engage a discourse that challenges the roles of viewer/observer with occupant/inhabitant. The experiments deal with multiple levels of graphical representation and meaning, using the latent chronology to give additional depth to the organic evolution of the image.

Additionally, I have used traditional media in an attempt to recreate the magic at a tactile and temporal level. Residue from the age of these mediums have effected the resultant.

COSMOlogy Index Scan Panel, 2012. Ink, paint, and mixed media on panel. 40"x24". In collaboration with Kim Cantley, painter.

COSMOlogy Index Scan Panel, 2012. Ink, paint, and mixed media on panel. 40″x24″. In collaboration with Kim Cantley, painter.

Indexical Scanning Inversion, 2012. Photoshop + flatbed scanner. 8"x24".

Indexical Scanning Inversion, 2012. Photoshop + flatbed scanner. 8″x24″.

Sur:Face Bores, 2012. Ink & dry transfer on ledger paper. 40"x30".

Sur:Face Bores, 2012. Ink & dry transfer on ledger paper. 40″x30″.

Footnote 031111 - 052012, 2012. Ink and paint on Clapboard panel. 6"x6".

Footnote 031111 – 052012, 2012. Ink and paint on Clapboard panel. 6″x6″.

NSFW Panel 02 [machine], 2012. Ink, paint, mixed media on panel. 24"x24".

NSFW Panel 02 [machine], 2012. Ink, paint, mixed media on panel. 24″x24″.

The investigation of chronology is shared in each work, both in terms of media application and form / content generation.

Greensheet Drawing no. 031111 - 052012.006

Greensheet Drawing no. 031111 – 052012.006, 2010. Ink on ledger book paper. 8″x10″.